One Harumo’s new works is titled "Cheer up for the Future,” and features a wolf standing on the top of a ridge, surrounded by neighbors living in a magical kingdom of nature. The wolf is accompanied by a relaxed cat on a branch and a grand elk cooling his hooves as he drinks from a teal green body of water. Two otters featured in the mural bathe in sunlight that shines through the windows of the school hallways. This mural directly faces another mosaic "Enjoy Every Moment Together." They are displayed down a long corridor of sunlit classrooms, where the outdoors are visible to the students throughout the day.
“Various Shapes of Relationships," another of Harumo’s murals, has a playful feel to it, and includes a mountain lion splashing in blue water. Bears, antelopes, foxes, owls, turtles, and bison all coexist in Harumo’s abstract landscape. This portrait of coexisting harmony faces the art department.
The twenty foot long mural was installed with seven feet tall paneling, offset, and centered on a brick wall. Harumo's team created a permanent private collection for the school by creating two tangible works of art, showcasing the importance of creating artwork and how it can be presented for preservation and value.
"Enjoy Every Moment Together" is a two dimensional mosaic assembled at her studio in Mountain View, California. This work of art took Harumo two months to create. She conceptualized her work with adaptive technology using CNC operators to fabricate her illustrations and assemble components. Seeing the concept evolve was a fun process for Harumo; it was like playing with a puzzle, except its pieces are adhered permanently.
Harumo’s illustrations become tangible this way as she physically assembles her squirrel illustrations. The reflective and neon colors transform into mushrooms in grass, deer, and a flying squirrel. Once assembled, she layers hand embellishments on top, adding another personal touch to the work. The mosaic was designed to be interactive and durable for children at play, with its highlighting contour lines and imagery shapes. The edge of the material is soft to the human touch and accessible for anyone with a macular or vision disability; this provides the opportunity to feel the artwork to define the contour of the illustrations. Harumo has a friend with a vision disability, and seeing her artwork is a big dream of his. That inspired her to look into what type of artwork she could create to give someone the ability to “read” illustrations.
Professionally packaged in an eight foot tall shipping crate, Harumo’s mosaic needed to arrive safely from California to DC. Carrying it on a flight was not feasible, even if flights were empty at the time. Shipping crates of artwork anywhere is expensive. Instead of paying art handlers, Harumo and her team rented a truck big enough to haul the crate across the country. The truck towed an RV trailer, which gave Harumo a safe, socially distant place to live while on the road. Planning took several months, and the trip lasted a total of sixteen days on the road, with three weeks spent living as temporary residents of DC.